Tuesday, June 28, 2011

Subtle Salute to the '70's

 The '70's are making a brief comeback this season and I've been trying to decide if and how I want to incorporate that concept into my wardrobe. When I woke up this morning something told me to stop putting it off and start putting it on!




Digging through my closet I noticed my flare jeans don't come close to passing as bell bottoms, I could wear my one piece denim jumpsuit with the butterfly collar -- to a costume party, and my maxi dress is lacking in the paisley / tie dye department. But wait... what's this now? I seem to have found something both tasteful and evocative of 1970's bohemian culture:

My Love Token Fringe Cardigan!


LT02-08 Fringe Cardigan Available in Black, white, Yellow, Blue at www.lovetokenus.com

This light weight sweater is the perfect way to show that you're hip to the passing trends but the beauty of it is that you can still wear it when the trend fades away. The long knotted fringe sweeps softly around the legs with each step and just adds a spirited feel to an outfit that would otherwise be pretty commonplace.



If you're looking for another piece that indicates a jump back to the '70's Love Token's Maxi Dress has a nice hand tye-dyed detail at the hem and neckline. This is a floor-lengh dress with a high waist made with Rayon and Spandex. It is endlessly comfortable and I could wear it every day! Both styles mentioned here are available at http://www.lovetokenus.com/

LT46-01 Maxi Dress. Available in Green, Fuschia, Blue at www.lovetokenus.com

Monday, June 27, 2011

Delicious Poncho

There are so many ways to style a poncho top! Here's one easy idea:

My girlfriend from Texas would call this a great 'eating top'. It's body-conscious drape obscures the form so you can indlulge in corn bread and collard greens if you happen to stumble across, say, an amazing Soul Food restaurant!  


The great thing about this poncho top is its weightlessness. Its made with Rayon and Linen so it just flows around the body. I also like its basic-ness. The front is like a blank canvas so its easy to dress it up with a necklace or scarf.

The sleeves are a nice surprise too. Normaly ponchos will completely hide the shape of your body with wide sleeves. But the slender 3/4 sleeves on this one help to define your shape so you don't get lost in a bunch of bulkey fabric as you reach for another fried chicken leg.

My favorite detail on this top is the computerized contrast knit at the cascading side seams

It gives a nice little touch of delicate femininity which will make up for any unlady-like gastronomical.... hiccups that may ensue after packing away that last spoonful of mac 'n cheese.

For Purchase at http://www.lovetokenus.com/ Asymmetrical Poncho Top Style # LT20-06

Wednesday, June 8, 2011

On the Edge of Romance

It occurred to me recently that Love Token's clothing might have something in common with the work of Alexander McQueen. I don't want to sound bombastic so bear with me as I explain.

Love Token's Cropped Jacket LT43-02

                                                                  McQueen's Oyster Dress
                                                       
I recently went to NYC and saw Alexander McQueen's Savage Beauty exhibit at the Met where I learned more about the late designer than I knew existed. Just so you know the details: the exhibit was organized by the Costume Institute, funded almost entirely by Alexander McQueen and curated by Andrew Bolton of the Costume Institute.

Savage Beauty lets you get right into McQueen's head. More than just an homage to his vast body of work (there are 170 pieces spanning 19 years) this exhibit takes the viewer into the dark waters of his creative inspiration. The prevalent theme throughout the galleries is Romanticism - in all its unconventional forms.

I found this to be very thought provoking. Love Token is a line inspired by romance in a very traditional way that applies to daily life. McQueen on the other hand applies a beautiful perversion to the idea of romance finding it in even the darkest of recesses. McQueen's work is highly informed by Victorian culture, primitivism, and the precise art of tailoring. But more than anything he was inspired by nature. This happens to be the same thing that inspired the Romantics of 18th century Europe. The interesting thing is that these European artists were operating in the context of (and reacting against) the Industrial Revolution. All the art and literature in praise of nature that came out of this era was juxtaposed with a newly mechanized mass culture. McQueen's work is rife with this same duality of theme.

The first gallery is designated The Romantic Mind. This is partly McQueen's 1992 graduation collection completed while at Central St. Martins in London. Here he mingles life and death, lightness and darkness. In pieces from Jack The Ripper Stalks His Victim the lining of a seemingly innocent frock coat is  made with the slightly more macabre element of encapsulated human hair.


Frock Coad from Jack The Ripper Stalks His Victim

Romantic Gothic is the second gallery. Here we see romance layered with darkness and aggression. Upon entering this gallery one can get a sense that McQueen's fashion designer iconicism was only a step away from couture costume design. Romantic and Gothic aesthetics are often incorporated into modern cult fashion like steam punk and 'goth'. McQueen takes this to the next level.



The most stunning and inspiring room (in my opinion) is the Cabinet of Curiosities. McQueen mentions his admiration for the sado-masochistic aspect of accessories. You'll excuse me if I'm being imperceptive but I don't think this notion of the veiled violence of jewelry would occur to most people - until they enter this gallery. Cabinet of Curiosities also includes clips from McQueen's fashion shows which often played more like performance art pieces. In one show a model in a white dress stands on a spinning platform between 2 robotic spray paint machines. She is frightened and disoriented as the robots slowly gain awareness and begin pelting her with spray paint turning the white muslin dress into No. 13



No. 13

As a former apprentice to a tailor McQueen understood garment construction as well as a person can. It was very important to him as a designer to be fully dexterous at his craft so he could undo, destroy, and challenge the conventions of his trade. In Romantic Exoticism towards the middle of the exhibit he reinterprets elements of traditional fashions from cultures all over the world.


Dress from Its Only a Game Spring/Summer 2005

I was amazed by this exhibit. I was amazed at how brilliantly the production design by Sam Gainsburry and Joseph Bennett complimented Alexander McQueen's work and made me feel like I was inside his head.  McQueen was not only a fashion designer. He was also a performance art director, a fine artist, an expert tailor and craftsman, a proud Scottish native, a quirky story teller, a self-proclaimed rule demolisher, and a true Romantic. While Love Token's clothing looks nothing like the work of Alexander McQueen we are proud to uphold his valued tradition of romance as it applies to our daily lives.